Growing
up, animals were all I cared about. My family moved a lot, so pets were often
my best friends. By the end of third grade, I’d lived in five states and
attended four elementary schools. But Ralph the rat, Catzan, Lady Vain and her
kittens, terrier Trixie, and an assortment of others happily kept me company. I
fed and played with them, always wondering what it was like to be a goldfish or
gerbil. Was it better?
I
read animal encyclopedias, wrote school papers entitled “Rats: Friend or Foe?,”
and yearned to be adopted by wild animals like the lucky kids in Incident at Hawk’s Hill and Julie and the Wolves. Humans didn’t
understand me, maybe a mother badger would.
When
college time finally arrived, I bolted from home with plans to become the next
Dian Fossey. I would live in the woods with my animal subjects who would accept
me as one of their own. Who needs people anyway? So judgy.
That
didn’t happen. Instead I ended up a science writer and nonfiction children’s book
author. (A desk job? shudders my
20-year-old-self.) But writing about scientists provides a welcome window into a
life not lived for me. And isn’t that what all literature is—a chance to be
someone or something else? To know what it’s like to be a soldier mouse,
ancient king, or sentient tree? Unlike in fiction, in nonfiction it just
happens that the characters are real people, the dialog actual quotes, and the
plot true events. The result is the same.
Emi,
the Sumatran rhino mother in Emi and the Rhino Scientist, is just
as big a character in the book as Terri Roth, the reproductive physiologist who
helps her have the first calf of its kind in captivity in more than a century. There
are fewer than one hundred Sumatran rhinos left on Earth, so part of the
motivation for writing the book was trying to help educate the public and
donate a bit of money. Failed scientists can still help animals!
The
book’s photographer Tom Uhlman (my husband) and I have deep ties to the
Cincinnati Zoo where Terri Roth works. I went to a year of high school there,
spending mornings cleaning aardvark cages and filling little crocks with cow’s
blood for the vampire bats. Tom was a teenage member of the Junior Zoologists
club. The zoo’s blood-slurping bats ended up on the cover of The Bat Scientists.
I often employ a you-are-there technique when writing Scientist in the Field books.
Why? It engages readers. But it’s also because I was actually there in a Texas pecan grove all night long helping
scientists net and band bats. We really did look for radio-tagged Gila monsters
with a herpetologist in Saguaro National Park and got soaking wet camping in
the Smokies with an evolutionary ecologist while researching Park Scientists. Being there is the
best part for me, why not share that with readers?
And
while I make a living as a writer, I’m still a nature lover who feels connected
to animals and often exasperated by humans. Science has always helped me make
sense of the world. I believe things happen for a reason, but one that usually
involves natural selection, gravitational forces, and/or geologic time.
Understanding
animals, stars, storms, ecosystems, and gluons more deeply connects us to the
world. And everybody craves connection. It’s the currency of what matters, what
motivates. Nonfiction writers have profoundly personal connections to their
chosen subjects. We’ve got skin in the game. Our writing reflects that—and
ourselves.
Mary
Kay Carson is the author of more than
fifty nonfiction books for young people about nature, animals, space,
inventors, weather, and history. She and her photographer husband Tom Uhlman are
a veteran Scientists in the Field team with five (soon six!) titles in the award-winning Houghton
Mifflin Harcourt series. Mary Kay blogs with STEM Tuesday and Hands-On-Books. Find
out more about her at www.MaryKayCarson.com or
follow her @marykaycarson.
Thanks for this series, Melissa. It's so insightful!
ReplyDeleteThank YOU, Mary Kay, for your contribution.
ReplyDelete