“Writers often make
plans for how to organize their information writing. Writers make one plan,
then they think about different possible plans, and they keep doing this over
and over.”
“So much of what
makes a writer strong . . . is the ability to envision a variety of structures
her work can take and then to choose and implement one of those structures.”
To develop a
structure, students should pretend to “fly above the terrain of a topic like an
airplane flies above the earth, allowing for a bird’s eye perspective.”
“[O]ne of the most
important ways to revise is to consider alternative structures.”
“[A] writer needs to
build a sound structure; that structure then allows the writer to elaborate
without the text becoming a swamp.”
I agree with all of
these statements.
When I was writing
books like No Monkeys, No Chocolate, Feathers: Not Just for Flying, and Under the Snow, I really struggled to
find the right structure. For No Monkeys,
No Chocolate, the process search took 10 years, 56 revisions, and 3 fresh starts.
I documented that process in a RevisionTimeline comprised of videos and downloadable samples of rejected
manuscripts. I invite you to share it with your students.
Luckily, structuring Deadliest Animals wasn’t nearly as
difficult. As a matter of fact, it came to me fully formed in a single flash of
inspiration. And it happened very early in the process. It was truly a gift.
The instant I read
that mosquitoes are the deadliest animals on Earth, I knew that “oh wow” fact
would somehow play a central role in the book. After all, who wouldn’t be
surprised to learn that these tiny pests are so dangerous?
And as I continued to
research, I learned that the “usual suspects”—lions, tigers, bears—aren’t
really the critters we should worry about most. There are plenty of deadly
plant eaters and lots of deadly little guys. And some of them live much closer
than most people realize. Basically, this topic was full of surprises—and that
was my hook, that was the idea that would form the core of my
structure.
And that brings us to one more great statement from The Art of Information Writing:
“[E]ffective
information writing shows the writer’s own involvement with and interpretation
of a subject. Readers want to read texts in which facts carry and create
ideas.”
I couldn’t have said
it better myself. The best nonfiction uses information to present an idea that
is meaningful to the author. We see the topic through a lens that he or she
creates.
Thanks for sharing these quotes (I love your MONKEYS timeline, by the way). I especially love that aerial analogy... Finding the right structure is always the key!
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